Female Portraiture

An exploration of femininity, passion and emotion

by Rosa Gill-Taylor

Perfection?

I started off thinking about traditional Western portrayals of women and femininity. And what could be more typical than the Virgin Mary? The perfect mother rather than the fallen woman.

I was interested in exploring how these ideas were still alive in the twentieth century. And breaking these down and building up my own pictures of women.



Living in Black and White

Elegance is the only beauty that never fades.

Audrey Hepburn.

A new form of beauty but still expectation.
But what happens when you fall through the cracks?

I decided to go back to the beginning and think about women and their raw connections to the land, to folklore and to classical tropes. Thinking about strength and power as intrinsic to womanhood.
Pencil and biro on a map

With the stylistic influence of Leopoldo Méndez, I played with the idea of the wild (wo)man of the woods.

Aphrodite comes to Reydon Woods

I asked what would happen if I combined classical statuary with contemporary unperformative femininity. Could I recapture some of the magic of the woods?

Setting Aboriginal and Western art styles in conversation to explore our disembodied selves.

Playing off depth and speed, I gave myself five minutes to see if I could build the sense of thought into this face.

Primal and Pretty?

In this series of five portraits I’ve tried to layer our deep, personal and intimate selves within a stripped back portrait form.


Shock and Joy


Love


It's Not My Job To Make You Smile

Final piece inspiration
Windows and light, folds and composition, portraits are often about more than just faces. So I turned to Gabriel Rossetti for his way with cloth, and to Childe Hassan to understand light, windows and composition.

Pencil pose sketches and design ideas

Design ideas and media experiments

It’s Not My Job To Make You Smile

My self-portrait sees me exploring if I could imbue an apparently conventional depiction of elegance with something of the loss, absence and effort of self-composure that comes with performing a particular kind of femininity. And to think what resistance might look like.